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bdg win app download is Still the circle narrowed, till canoes were almost touching. There was a pause. A long canoe shot out from shore, following the line of the circle. It went as fast as paddles could drive. In the stern a man threw overboard the long, continuous screen of cocoanut leaves. The canoes were no longer needed, and overboard went the men to reinforce the palisade with their legs. For the screen was only a screen, and not a net, and the fish could dash through it if they tried. Hence the need for legs that ever agitated the screen, and for hands that splashed and throats that yelled. Pandemonium reigned as the trap tightened. On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times..

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